mark oliveiro

mark oliveiro - composer

LARGE

MAGNIFICUM ORBIS (2012)

For Indeterminate Brass Ensemble, Percussion and Movement

Premiere: 5 & 6 May 2012 Stovall Hall, UNT

[Conductor: Ben Bolter]

PRISM (2010)

For Orchestra, Wiimote & Live Electronics

Premiere: 7 February 2010 Auer Hall

[Conductor: Ben Bolter]

CYAN ECHO II (2009)

Commissioned by the Bourbaki Ensemble

For String Orchestra, Solo Cello & Electronics

Premiere: St. Stephen’s Church, Newtown, 8 March 2009

[Performed by Steve Meyer and the Bourbaki Ensemble, Conducted by David Angell, Electronics by Michael and Mark Oliveiro]

FLASH (2007)

For Solo Alto Saxophone and Orchestra

ORDER OF CHAOS (2004)

Commissioned by Symphony Australia (Orchestra Victoria Young Composers)

BUSHFIRE SUN (2006)

Commissioned by the Settimane Musicali di Stresa e del Lago Maggiore

For Piccolo, oboe, clarinet, bassoon, horn, violin, viola, cello, piano & percussion

Premiere: Arona Villa Ponti, Stresa, Italy 8 September 2006

[Performed by BIT20]

DIVERTIMENTO (2002)

Commissioned by ASME (Australian Society for Music Educators)

Premiere: ASME Young Composers Concert, Darwin University 13 July 2003

[Performed by the Darwin Symphony Orchestra]

BATTAGLIA (2001)

Written for the Newtown High School Student Orchestra

For Orchestra

Premiere: NHSPA Spring Proms Concert, St. Georges Hall, Newtown 8 September 2001

[Performed by the Newtown High School Student Orchestra]


VOICE

BEDE’S DEATH SONG (2011)

For SSAATTBB (ver. Acapella).

Premiere: Recital Hall, Bloomington IN, 17 February 2011

IL GARROT (2010)

Commissioned by Jane Sheldon, Zubin Kanga and Chronology Arts.

For Soprano and Piano.

Premiere: Auer Hall, Bloomington IN, 26 July 2010

[Jane Sheldon and Zubin Kanga]

SUMPAH DEWA (2010)

For SSATBB (ver. Acapella/ ver. With electronics and Percussion).

Premiere: Auer Hall, Bloomington IN, 7 February 2010

Subsequent: Buskirk-Chumley Theatre, Bloomington IN, 15 and 16 April 2010

[Conductor Juan Hernandez; Choreographer Krissy Jones]

DOA (2009)

Commissioned by the Song Company: MODART program (in association with the Australian Music Centre)

For Solo Baritone, with Ssoprano, Mezzo-Soprano, Tenor and Bass.

Premiere: Melbourne Recital Centre, Melborune, 18 September 2009

Sydney Premiere: Cultural Centre, Italian Forum Sydney, 19 September 2009

[Performed by The Song Company]


CHAMBER

PANEGYRITE (2012)

Commissioned by Chronology Arts

For Soprano, Flute, Viola and Percussion

Premiere: Inner West Dickson Space (Sydney), 11-12 August 2012 LyreBird

[Performed by Chronology Ensemble]

PRELUDE AND BERCEUSE (2010)

Commissioned by Chronology Arts

For Soprano, Clarinet, Violoncello and Piano

Premiere: Paddington Uniting Church(Sydney), 8 December 2010 Stations of Creation

Subsequent: Wesley Music Centre (Canberra) 11 December and St Ives Uniting Church 12 December 2010 Stations of Creation Chronology Arts

[Performed by Chronology Ensemble]

CHIMERA (2010)

For Electric String Quartet and Live Electronics.

Premiere: Auer Hall, Bloomington IN, 7 February 2010

[Michael Lim, Yousam Nam, Max Wollam-Fisher and Brett Wallfish]

LOADED (2009)

Commissioned by Chronology Arts

For Soprano and Chamber Ensemble

Premiere: Auer Hall 1st of December 2009

Subsequent: Conservatorium of music 9th of December Playing in Tongues Chronology Arts

[Performed by Chronology Ensemble]

RAVE (2008)

For Wind Quintet

DAINA (2006)

Commissioned by Altera Veritas

For 2 Concert Kokle, 2 Bass Kokle, Flute & Bayan (Accordion)

Premiere: Hall of the Castle Dundaga, Latvia 18 August 2006

[Performed by Altera Veritas]

21 GESTURES FOR STRING QUARTET (2005)

Written for the Greenway Quartet

For String Quartet

Premiere: Composer Performer Workshop, Music Workshop, Sydney 14 November 2005

A SEGMENT OF NOCTURNAL CONCINNITY (2004)

For Soprano, Guitar, 2 Violas, Cello & Piano

Premiere: Composer Performer Workshop, Music Workshop, Sydney 6 July 2004

RAYAH (2003)

For Flute, Bass Clarinet & Piano

Premiere: SECS Chamber Music Concert, Old Darlington School, Camperdown 10 October 2003

AXIS (2002)

Written for the Nexas Quartet

For Saxophone Quartet

Premiere: Conservatorium FUC Concert, Recital Hall East, Sydney 2 December 2002

[Performed by the Nexas Quartet]

WITCHES BREW (2001)

For Flute, Clarinet, Alto Saxophone, Violoncello & Percussion

Premiere: NHSPA Senior Concert, Studio Theatre, Newtown 11 August 2001

SOLO

BAAYAMI: FROM THE SKY (2012)

Commissioned by Kyle Hutchins

For Saxophone

Premiere: Inner West Dickson Space (Sydney), 13 July 2012 World Saxophone Congress XVI St Andrew

[Performed by Kyle Hutchins]

THUNOR’S GATE (2010)

Commissioned by the International Horn Society and the Meir Rimon Commissioning Assistance Fund

For Horn and Live electronics

Premiere: 21 of July 2010 Ian Hanger Recital Hall Brisbane.

Subsequent: 10 December 2010, Recital Hall Bloomington IN; Vortemann Hall UNT (Denton), 16 May 2012 International Horn Symposium

SKANK! (2007)

For Solo Trombone and Piano

Upcoming Premiere: MEIT, College of Music UNT, Texas March 2011

ARABESQUE (2007)

For Solo Harp

Premiere:Auer Hall, Indiana University, Bloomington 6 November 2007

[Performed by Valeska Gleser]

FUNK INVENTION No.1 (2002)

For Solo Piano

Premiere: Conservatorium Lunch Concert, Music Cafe, Sydney 12 May 2002

[Performed by Greg Burgess]

DADDIRRI (2002)

For Alto Saxophone

Premiere: Studio Theatre, Newtown 27 September 2002

[Performed by Andrew Smith]

IMAGES FOR BIRDS (2001)

For Flute

Premiere: NHSPA Senior Concert, Studio Theatre, Newtown 11 August 2001

[Performed by Allen Chan]

ELECTRO-ACOUSTIC

ERYTHREAN OATH (2012)

For Solo Harp

Premiere: TBA

TARTARIAN PSALMS (2011)

Commissioned by Jeremiah Stones

For Bass Trombone and intermedia (4-channel)

Premiere: 15 November 2011, Merrill Ellis Intermedia Theater – Jeremiah Stones Recital

Subsequent: March 2, 2012, Recital Hall Indiana University – Collevoxus Exchange 2012; March 5, 2012, Recital Hall University of North Texas– Collevoxus Exchange 2012; British Trombone Festival

SIKINNIS (2011)

Commissioned by Ben Carey

For Soprano Saxophone and Live Electronics (6-channel)

Premiere: 11 June 2011, Recital Hall East, Sydney Conservatorium – Electro Perspective

Subsequent: 17 October 2011, Merrill Ellis Intermedia Theater – Spectrum Concert

£11 November 2011, McCullough Theater UT Austin Electric LaTeX Festival

CALLIPHORA (2011)

Commissioned by Alicia Crossley

For Bass Recorder and fixed-media (2-channel)

Premiere: Sound Lounge 25 August 2011, Sound Lounge Seymour Center – Addicted to Bass

Subsequent: Joan Sutherland Performing Arts Centre 6 May 2012, We Heart the Recorder, Alicia Crossley; Griffith University Recital Hall 13 July 2012, Australasian Computer Music Conference, Alicia Crossley

RE(ED)-MIX 2.0 (2010)

Commissioned by the Zzyzx Quartet

For Saxophone Quartet and fixed media (2-channel)

Premiere: TBA

THE THREE TIERS (2010)

For Video and fixed media (2-channel)

Premiere: 24 April Sweeny Hall

Subsequent: 20 & 21 January 2011, SEAMUS Miami.

TANOX (2010)

For Alto Saxophone, Harp and Fixed Media Electronics (2-channel)

Premiere: 7 February 2010 Auer Hall

Subsequent: 25 April Auer Hall, Zach Shemon recital, 8 March, Merrill Ellis Intermedia Theater – Live Wires, 25 August 2011, The Salon Melbourne Recital Centre - Fresh Meat!

IN MALUGA (2009)

For Multi-channel fixed media (5:1)

Premiere: 23 September 2009 Auer Hall

Subsequent: 7 February Auer Hall 2010, Bloomington IN; 7 August 2010 Toronto Electro acoustic Symposium; 8 September 2010 Radio Launch Montreal [CKUT 90.3]; October 2010 Elektramusic Radioshow Strasbourg, France; 18 October 2010 Acoustic Frontiers [CKCU 93.1] Carleton University, Ottawa, Canada; 14 November 2010 Electric Sense [CKLN 88.1] Ryerson University Toronto, Canada; 15 & 22 November 2010 Foldover Broadcast [WOBC 91.5] Oberlin Conservatory, USA; 20 November 2010 Ars Sonora Radio Clásica, Radio y Televisión Española, Madrid Spain; TBA May 2011, Mexico.

CYAN ECHO I (2009)

Commissioned by Chronology Arts

For Solo Cello & Electronics

Premiere: Electric ID Music Workshop, 12 March 2009

[Performed by Eleanor Betts, Live Electronics Mark Oliveiro]

PHASE ELEMENTAL (2008)

Commissioned by project HAMMER AND NAIL

For Tape

Premiere: Hammer and Nail 2008, Buskirk-Chumley Theatre, Bloomington 19-20 April 2008 [Choreography by Richelle Steiner]

VOICE (2008)

Written for Josef Woldense and Terence La Neir II

For Video (stop animation) with Stereo sound

Premiere: Indiana University, Bloomington 24 January 2008

[Voice Over Josef Woldense, Hand models Terence La Nier II and Josef Woldense]

Australian Premiere: Australian Computer Music Conference, Sydney Conservatorium Sydney 12 July 2008

CRUX (2008)

For Solo Harp & Tape

Premiere: Auer Hall, Indiana University, Bloomington 22 April 2008

[Performed by Valeska Gleser, Choreography/Dance Performance by Devon Gouge]

A CYCLE OF FALLACY (2008)

Written for the IU Electronic Music Recital

For Soprano, DJ & Live Electronics

Premiere: Auer Hall, Indiana University, Bloomington 24 January 2008

[Performed by Suna Avci, Electronics by Mark Oliveiro]

INTROVERSION (2005)

For Tape

Premiere: Live Wires, Music Workshop Sydney Conservatorium, Sydney 31 August 2005

[Defused live, 8-channels, by Mark Oliveiro]

PUNTER (2004)

Written for Jay Burnes

For Baritone Saxophone & Tape

Premiere: SECS New Music Concert, Old Darlington School, Camperdown 25 June 2004

[Performed by Jay Burnes]

FILM & TELEVISION

LANDSCAPES [Soundtrack] (2007)

For Electronics, Piano, Bass, Percussion, Synthesisers, Tin Whistle’s, Mijwiz, Darabuka and Bodhran.

THE EXPERIMENT [Soundtrack] (2002)

Commissioned by James Connor

For Electronics, Piano, Bass, Percussion & Synthesizer

Premiere: Tropfest Short Film Festival Submission, Sydney, November 2002

[Studio session musicians Benjamin MacAtamney, Mark Oliveiro and Alex Sepansky]

THEATRE

AS YOU LIKE IT [Incidental music/underscoring] (2009)

Commissioned by Fontaine Syer (director)

For Solo Guitar and Voice

Season: Lee Norvelle Theatre and Drama Center, Bloomington, 12-19 November 2009

[Studio session musicians Chelsea Gill: Guitar and Voice]

HAMLET [Incidental music/underscoring] (2008)

Commissioned by Dr. Murray McGibbon (director)

For Electronics, bodhran, darabuka, keyboard synthesisers, tenor , violoncello

Season: Lee Norvelle Theatre and Drama Center, Bloomington, 14-22 Novermber 2008

[Studio session musicians Gabriel Oliveiro, Michael Oliveiro and Mark Oliveiro]

TRUE WEST [Sound Design] (2008)

Commissioned by Lilia Vassileva-Eheart (director)

For Electronics

Season: Ruth N. Halls Theatre, Bloomington, 13-14 April 2008

THE SEAGULL [Incidental music] (2007)

Commissioned by Erik Friedman

For Accordion, Piano, Viola, Cello, Chamber Choir

Season: Wells-Metz Theatre, Bloomington, 22 February to 3 March 2008

[Studio session musicians Viktoria Carr, Meghan Dewald, Carl Kanosky, Jenny Kim, Nikolas Allen Jeleniauskas, Hana Song and Brett Walfish]

OTHER

INSERT TITLE HERE (2003)

For Any Ensemble or Combination of Instruments

Premiere: SECS Chamber Music Concert, Old Darlington School, Camperdown 10 October 2003 [Realised for Solo Piano, Oliver Nowak)

Subsequent: SECS Improvisation Concert Concert, Recital Hall East, Sydney 15 November 2003

[Realised for Saxophone Quartet, Nexas]

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